12 days of dance: GXII Festival in Brussels
Categories: Festival
Date: 02/07/2019 to 13/07/2019
Time: 18 h 00 - 3 h 59
Location: Avenue Van Volxemlaan 164
Links: iCal - Google Calendar
12 DAYS FOR GENERATION 12.
44 STUDENTS, OVER 60 WORKS.
CURATED, PERFORMED, CHOREOGRAPHED BY THE STUDENTS OF GXII.
FOR THE GXII FESTIVAL, THE GRADUATING STUDENTS OF P.A.R.T.S, TAKE A LOOK BACK OVER THE PAST 3 YEARS.
THEY PRESENT A PUZZLE OF WORKS/WORKINGS/WORKS-IN-PROGRESS THAT SPAN FROM 1ST YEAR TO GRADUATION. IT IS A PLATFORM FOR THEM TO SHARE WHAT THEY HAVE DONE, WHAT THEY WANT TO DO AND WHO THEY ARE AS GXII.
THE PROGRAMME:
Repertoire, new creations, student made works, installations, workshops, public talks, markets, parties, and our very our radio in collaboration with Radio Panik
02. 07 at 18:00- PROGRAMME 1
PERSONAL WORK (from inside the curriculum)
Piece #1
Choreographed by: Luis Miguel Ramirez MuñozIn collaboration with: Vasco Pedro Mirine, Maureen Bator, Lee Hyeon Seok, Mamadou Wague
Performed by: Maureen Bator, Lee Hyeon Seok, Vasco Pedro Mirine, Luis Miguel Ramirez Muñoz, Mamadou Wague
The meaning of the title is self referential. The work is dealing with the subject of free will, questioning to what degree do we give it for granted, and how, in an everyday more industrialised and globalised world, the value given to a routine as a means to the accomplishment of either social status or economic satisfaction is of such magnitude that drags us into believing that within that routine is where free will lies, and that the individual potential for development should fall under the efficiency of the social machinery. But free will must prevail and the box should expand.Besides this, the work its also in a big sense about the exploration and exploitation of some of my compositional ideas as a mean of expression.
PERSONAL WORK (from inside the curriculum)
/bɪˈtwiːn/
Performed and choreographed by: Mariana Miranda and Wai Lok Chan
/bɪˈtwiːn/ is a live dialogue, revealing the distance in communication. It is a game formed by at least two people or you can play inside yourself. The role of audience and performer interweaves in the fragmented communication, an autopoietic process, which reproduces itself. Understanding is not necessary for its fabrication. If there is no clarification, is communication effective?
Find the full programme here:
FREE! No ticket price! But seats are limited! To reserve a seat fill out this form
